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During the last session we reviewed the logistics for the upcoming coastal expedition. The main discussion revolved around the choice of film stock and the scanning workflow for the negatives. We decided to test two emulsions side by side — one with a finer grain for detail in the rock formations, another with a wider latitude for the unpredictable light at dawn.

The second part of the session covered the archive structure. Each shoot will be catalogued by location and date, with a separate folder for the raw scans and a second for the corrected files. This keeps the post-production pipeline clean and allows quick access when a client requests a specific frame from a previous assignment.

We also talked about the next editorial project: a series of portraits in a eucalyptus forest near the coast. The light there is filtered and green, which will require a careful white balance during scanning. The plan is to shoot during the first two hours after sunrise, when the mist is still low and the shadows are soft.

What stood out from the session was the emphasis on consistency. Every decision — from the film stock to the folder naming — was made to reduce friction later. That kind of planning is what allows the actual shooting to feel intuitive and focused.